Kerron Lemessy

IG @mr_lemessy

What is the role of a boom operator?

The role of a boom operator is to operate the boom microphone to capture the best quality dialogue and sound effects.

When do you start to work on a production?

A boom operator should be on set 30 mins to 1 hour before call time to familiarize themselves with the set and also to set up the sound equipment for the production

What equipment does a boom operator work with, and how important is their job on a film set?

The boom operator mainly works with a boom microphone these can be omnidirectional, Cardioid, Hypercardioid (Mini-Shotguns), Supercardioid (Shotgun), Lobar (Unidirectional) or Bidirectional (Figure 8 Pattern). The boom microphone is attached to a boom pole to assist in capturing the dialogue/ sound effects. A boom operator also assists the sound mixer with the other sound equipment on set so it helps to be familiar with your sound mixer’s equipment. The secondary responsibilities varies from sound mixer to sound mixer.

How do block rehearsals impact your job as a boom operator?

Blocking rehearsals are crucial because you get all the necessary information for capturing the best audio without hindering the production. Information like talent placement and line delivery dynamics, just to name a few can help you the boom operator make the right adjustments for the scene.

What qualifications do you need to become a boom operator, and where can you gain the best firsthand experience?

A general understanding of sound for video and film production and a willingness to learn.

What is the career path of a boom operator?

Usually after boom operator or sound utility you can move towards sound mixer but boom operating gives you such a wholistic view on what goes on, on set, you should be equipped to enter any entry level in any department on set.

How do you set up your boom equipment whilst being mindful of not being in the way or casting shadows?

Be as diligent as possible and have a general understanding of shot composition and lighting and be mindful of the keylight. Always communicate with the camera and lighting departments for any changes made.

What advice do you have for persons wanting to be a boom operator?

Keep an open mind, keep your eyes and ears open on set at all time and get familiar with your sound mixer’s workflow.